Showing posts with label Dada. Show all posts
Showing posts with label Dada. Show all posts

Saturday, November 5, 2016

Most DADa Thing - SF DADA Fair




As part of the SF Dada World Fair my collection of Inter DADA 84 posters, publicity cards, etc and a selection of mail art are on exhibit at the SF Library's 6th floor Skylight Gallery. It will be available to see through December 31st. Check out the photos here the blog site.

Also the book InterDADA84: True DADA Confessions is for sale at City Lights Books or at my books online. Videos are here too at the Interdada 84 blog. Selections from the library's zine collection are on display at the gallery. For more info see list.

Irene Dogmatic and I are archive consultants for the fair. SF Library has this to say... Check out Irene's exhibit nearby of early Bay Area DADA ephemera.The three part panel discussion Bastard Children of Dada can be found at my YouTube library.
 




This exhibit is sponsored by the San Francisco History Center’s SF Punk Archive and Book Arts & Special Collections.

 


Tuesday, September 8, 2015

ING Goes LIVE

LIVE from Inter DADA 84

https://archive.org/details/INGinterDada

Here Taped Rugs Productions presents the recording of this show in its entirety. The set consists of:

1 Shoot
2 The Dance
3 Smelly Tongues (The Residents)
4 Whirring During
5 Interdada Improvada
6 King Of The Road (Roger Miller)

Wednesday, September 24, 2014

Releasing at Miami Book Fair - November 21 to 23!!!

 It took 30 years to get this fun book into print. What a bear to squeeze as much as I could into this newest edition. Lots of photos, reports and comments by the artists who were there and a mail art show commemorating it all. Photos, artwork, and confessions are just some of the topics included in this book. Stories and reports by: Banana, Behrens-Brigham, Bell, Bloch, Cavellini, Chew, Held, ING, Mollett, Olbrich, Spiegelman, Truck, and many more. 
Let me know if you are interested in getting an email about special offers at release time. The print copy is a nice coffee table book which for a limited time I offer at a discount.

Fluxus friend and cohort Keith A. Buchholz will arrive to help me during the fair and sell his FLUX PRESS books, perform and create mayhem.

Part of the

Sunday, May 2, 2010

Why an InterDADA 84 Festival?




After the success of the previous festival in 1980 held in Ukiah and Venice Beach, many artists who were unable to attend or heard about it after the event had happened, wanted the organizers to hold another one. They in turn said, “Yeah, but let someone else organize it!”

You know the whole scenario, you want an event to happen but you don’t want to organize it so you look for someone to elect. Well that’s basically what happened to me, I’d organized the Copy Art Exhibition in 1980 which included many pieces from mail artists. People were happy with the show’s outcome so I became a target for their campaign to convince someone to organize another InterDADA to be held in San Francisco.

I credit Cavellini in part for getting the mindset started on having a festival in San Francisco for in his book Cavellini in California he makes a mention of San Francisco in the list of locations but upon closer look you’ll find that was a stop he made on his California visit. No Inter DADA activities were held in San Francisco in 1980.

If you’ve ever been to Ukiah you know its a very small Northern California town. When Inter DADA 80 happened, accommodations and services were boosted to handle the swell in business but anything larger would tax the town’s resources. Perhaps there was a slight but real concern that it would become a DADA Woodstock, interfering with the small town atmosphere. It was well known that Mendocino County had a reputation as a center for crop growing of a certain sort and perhaps these folks didn’t want more attention from strangers or any media types wandering about. In any scenario, holding the next festival’s events in San Francisco was a logical choice.

I had lived in San Francisco for awhile and knew a lot of artists. More importantly many of the art spaces and galleries were familiar to me. Made it a point to attend many of the openings held each month, look at a lot of art and to know what was happening in the exciting art environment that pulsed throughout the city. Not only was I connected to the visual arts groups in the city but also knew writers and poets through my former roommate, Steve Abbot, the editor of both Poetry Flash and Soup magazines. All of this became extremely helpful when it came to obtaining space for the events.

After polling a few artists to see if they’d attend, I finally relented when Terrence agreed to co-organize the event and said he wouldn’t sell all of his presses until we were done with printing.

I approached Inter DADA 84 as an art project, as described by some of the attendees later, which made it fun – or more fun than if I hadn’t!

Friday, April 2, 2010

On Cavellini

Eva Lake says:
 "Where to begin with Cavellini? I’ll start at my beginning with him: he was old and I was young. I had heard of him many times through the world of mail art...One saw his work in many journals and everyone seemed so infatuated...I didn’t really get it until I met him. He’d met Marcel Duchamp. Had a fairly adventurous life. Early on he had made his own autobiography his art and wrote it everywhere he could.

 Eva and Cavellini in performanace at  Inter DADA 84. Photo by Turk LeClair.
Text itself was the art form, as you see from his suit. He laid it on shaved heads, he wrote it on naked bodies – including my own during the Interdada Festival in San Francisco in 1984  Using his same fluid hand, he rewrote art history and put himself and his friends in high places...

He also made books, postcards, leaflets and loads of colorful propaganda. I have a slew of it at home and can’t begin to share half of it. He would send huge posters which were all collaged over with hand-written and hand-painted bits. He was famous for stickers with his lifespan of 100 years printed on them (which unfortunately turned out to not be true, as Cavellini passed on in 1990)."   evalake.blogspot.com

Ginny Lloyd (me) says:
"I met Cavellini in 1980 when he wrote on my head in performance at Inter DADA 80 in Ukiah, CA.  I didn't have much opportunity to spend time with him until a visit with Vittore Baroni at Cavellini's home in Brescia, Italy. It was a cordial meeting and I got to view his art collection, archives and beautiful villa. We had lunch together in a garden.
Ginny Lloyd and Baroni with Cavellini in his hand writtern canvas, 1981 in Brescia, Italy. Photo by Ginny Lloyd.

I was working on my book, Blitzkunst at the time so a photo session had been arranged as part of the visit. After he donned a Cavellini outfit for the shoot I took several photos of him. When we were done, he brought out coats and hats for me and Baroni to try on and invited us to perform for the camera using a built in timer.

After the visit we kept in communication via mail. Later when planning for Inter DADA 84, I wrote to Cavellini and invited him to attend. He accepted and the rest is history."

Tuesday, March 30, 2010

Little Known Facts About Inter DADA 84



Walter Alter, the artist, served as Cavellini's interpreter during the event. He went on to create a San Francisco Renaissance conference and continued with his TV installation art.











 The Stencil King Scott Williams posted stencils around the city. Scott is considered the best in the world in the art form by many critics. Gaglione, me and Rockola point out stencil: Stencil archive



Terrence and I funded the events with our own money, loans from backers and admission fees paid by non-performers. The Victoria Theater was our most costly space and postage was our greatest operating expense. Many of the materials were donated by sponsors. All loans were paid in full personally by me from the Victoria Theater receipts.


I never heard what happen to the convertible with Cavellini stickers. If you know please email me.


Anna Banana made several Inter DADA 84 commemorative artistamps. This is just one of them.

DADA Calendar for the event.

Good article: 3 parts - click to enlarge if you can't read



Walter Alter Responds

InterDada '84... I am possessed by a demon flood of mnemonics, like an SFPD tazer to my third eye, man. It was a hot, sweaty, writhing Karo syrup wrestling pit of aesthetics, a Yucutan Spring Break of the collective Schwittergeist, a juggernaut of mirth and mania, a glorious din echoing the concrete canyons where Ad...renaline and Endorphia tangoed like shattered glass and shredded recaps on the Interstate. The heat of our loins rose and billowed as the ashes of Pinatubo overthrew the Throne of Saturn with itchy blindness, fits of sneezing and glossolalia. Many lost limbs, some their minds and the Earth still shudders in bliss.

"That event was very formative in my art career.  The use of the TV's at the Victoria launched me on my sculpture installation gig that lasted for 8-9 years and defined me as an artist.  I feel so lucky to have been part of the SF underground art scene at that time and to have done art that really made an impression.  A week didn't go by that I didn't have a sculpture in some rave venue or SOMA art space somewhere in town. My career has not been insignificant, and if I had been a little more savvy about schmoozing and playing the game, I might have ended up on the money wheel.  As it was, with the Batcave (ed note: scooter repair shop) being at the hub of a youth subculture and my busy installation schedule, I can imagine no cooler, hipper, more beautiful time in any artist's life.  So thanks, InterDada 84 was profound to me and I am grateful that you played that kind of role in my life." 

Walter was a substitute father figure and mentor to many young people at the time. Check out more about the SF youth scene in the 80s and the large scooter culture, influenced by SF's previous Beat and Mod subcultures,  at his Web site. http://walteralter.byethost32.com/

 

Monday, March 29, 2010

Inter DADA 84 Notes by Ginny Lloyd



Cavellini gets Cavellini'd in performance at Victoria Theater. Photo by Steve Caravello.

San Francisco in 1984 was THE world’s art happening place. Not NYC, not Paris, not London. Having traveled in ’81 and ’82 I witnessed first hand the art scenes in these places so I’m not being provincial when I make this declaration. There were activities non-stop in the city – artists’ events in vacant lots, shows in new galleries sprung up everywhere, exhibits in old motels, new and established clubs holding events. On one night you could go to five events and openings and still miss another ten. I could not have achieved a full week of art events in a major city like San Francisco if this charged energy had not existed.


DADA Fashion Show with Georgina and JES. Photo from JES Archive.

For those reading about Inter DADA 84 for the first time, it was a week long arts festival held September 2nd through September 9th, in San Francisco, CA. It was a celebration of DADA. Co-organized with Terrance McMahon, it was loosely modeled on Inter DADA 80 held in Ukiah, CA (well documented in Cavellini’s book Cavellini in California) and the Fourth of July Parades of my childhood. Because Terrence was working at a full time job and later started organizing another show with refrigerators, Inter DADA 84 became MY full time job in the summer of 1984. Fortunately Terrence had a well equipped press so we were able to produce promotional and event media at marginal costs, such as the program and event posters. But my job became chief organizer, mail art tracker, manager, fundraiser, promoter and publicist of the event - which was what I had not signed up for initially. It was to be Terrence and me organizing together with no other “directors”, self-proclaimed or not, but Terrence’s job consumed his time up until the week of the event.

DADA dance contest at Victoria Theater. Photo by Steve Caravello.

As one could expect organizing a group of artists who are not DADA is no mean feat, but for the most part the Dadaists were onboard to make it a memorable event. We’d had a long tradition of Bay Area Dadaists organizing events so the locals were used to working together. It was the out-of-towners from LA spearheaded by one protagonist who was the thorn in my side the whole time leading up to the event. These Dadaists could be very touchy and wanted things their way, but it wasn’t what I was there to do. I had a job to accomplish with no funding to start and a lot of enthusiasm to make up for a lack of staff.

Photo taken at Hotel Utah by Skooter: Abdada, Eva and JES.

I made calls to a select group of people I knew and trusted to do a job well asking for volunteers. No collective group decisions to bog things down, no long weekly meetings but everyone had to have a willingness to work an event to make it happen. For the most part this went smoothly and everyone did a wonderful job. The only management nightmares occurred when people I did not know were given responsibility, against my better judgment. Let’s just say Terrence’s friends were less than cooperative with me at the helm. I’ve seen this sailing when a crew member is just not agreeable to a woman captain being in charge. Times are changing and today people are more likely to work for someone who is different from them than ever before. Some people have authority issues..

Me in front of Victoria Theater taking a break on the convertible. Photo by Steve Caravello.


I went around the city securing sponsorship and space for the events. Terrance wanted to hold an event at the Victoria Theater so we could have a burlesque type of night and he basically was in charge of that and the mail art show hanging. A local bookstore was our headquarters and people checked in there to get a packet that included a T Shirt, program, button and pen (I still have some of these available for sale). Anna Banana was our liaison at this space and signed people up for the various events such as the fashion show, open poetry reading, and dance contest. I can barely remember it all so referring to the program the events included:
  • Original DADA books and films at the Goethe Institute
  • Lectures at Goethe Institute
  • Welcome and info center and art sales
  • Photo Show
  • Gaglione’s Stamp Art #5 compilation
  • Mail Art show
  • DADA Classics at the Roxie including the premiere of Cavellini in California film and Super 8’s (by artists who brought films)
  • Poetry reading at Hotel Utah
  • Dance and costume contest
  • Dinner and sound poetry at LaMamelle
  • Performances, fashion show and dance contest at Victoria Theater (2 nights)
  • Cavellini Writiing Performance with Eva Lake
  • After hours club
  • Parade
  • DADA Scream in Emeryville Flats
  • Videos showing at several clubs
  • Cavellini Car Raffle
One requirement of each performer, admission to perform was the creation of a poster or flyer and distribution around town. Everyone cooperated so there is a great collection of posters I’ll scan one day. With so many ads around, the town came out for the events to capacity in most cases.

Cavellini performs his writing on model. Photo by Jes.

The mail art show was huge and filled a complete room including the ceiling. So when you entered you literally entered the mail art. During the week people added to, subtracted from, and/or modified the art hung on the walls. I believe there were even pieces put on the floor by the artists installing the show.

 Terrence, Barbara, Carl and Georgina at mail art show, photo by JES.

As at the Hotel Utah (well documented in Mark Block's excerpt posted here), the performances and fashion show at the Victoria Theater had an audience that was jumping up and down in their seats, armed with wads of paper to throw whenever the mood struck, and heckling. One of my fondest memories was sitting in the theater next to Patricia Tavenner hollering and screaming at the show until we were both hoarse with laughter. In true DADA fashion it was a bloody fun fiasco.

Dinner with Ray Johnson masks. Photo by Steve Caravello.

The sit down dinner at LaMamelle catered by Mark Rennie's Billboard cafe, was a classic reunion of people from all over the world meeting and greeting. We had a great laugh with the Ray Johnson masks and again it was one of my favorite events. In fact I enjoyed myself immensely during the week. By the time the festival start arrived I was able to step back and let the volunteers do their jobs and let the events operate on their own steam. Other than a mail art show that wasn’t hung yet four hours before the opening, I didn’t have to step in to take control of any other event. Due to the wonderful volunteers, led by Jurgen Olbrich’s experience it got done!

Of note, the Goethe Institute provided sponsorship in several critical ways. They presented an exhibition of original Dada books and materials shipped in from Germany, original Dada films and lectures by Eva Lake and Anna Banana.

Parade with Cavellini in the sticker car with Pan (Mark Block) on back. Photo by Steve Caravello.

The final event was the parade around a square block Are We Really obtained a permit for. The city was perplexed as to why we only wanted a square block and wanted to have us go down a street in a straight line but we Dadaists’ would not have it. Cavellini and bride rode in the convertible wearing a cowboy hat chauffeured by the new owner of the raffled off convertible covered in the Cavellini red and green stickers.

There are many more stories and lots of people involved. Write up your story for me to post! Send photos!